变形计

让荒山变成村民绿色家底——记秋子沟乡发展刺嫩芽产业_我的网站

A |     《日报》全媒体记者  赵丽杰          　　绥中县秋子沟乡谭杖子村北侧的尖山沟，是一片荒山，1000多亩。    

    Staff members work on a short-form drama in Jiaxing, East China's Zhejiang Province, on July 21, 2026. Photo: VCG
Open Douyin, the Chinese version of TikTok, and AI-generated short dramas are hard to miss.
The stories span almost every genre familiar to Chinese audiences, from fantasy and immortal cultivation to urban romance and period tales.
The biggest difference is that the actors, settings and even many of the visual elements are generated by artificial intelligence (AI).
One of the latest hits is The Inverse Zone, an original mystery-thriller about monsters that has been dubbed an AI version of Stranger Things. The series has released three episodes so far, each receiving more than 1 million likes on Douyin.
Yet the team behind it consists of just three people, all born after 2000.
While Hollywood is still catching up with the short drama boom, China's short-drama industry is already moving into the AI era.
For many young creators, AI is not just another tool - it is a door that small teams could never have opened before.
"We've always wanted to make professional film and television content, with visual language, complete storytelling and a cinematic feel," Hu Hai, a member of the team behind The Inverse Zone, told the Global Times. "But the cost and barriers of live-action production were too high. Small teams had little chance to realize high-quality film and television projects."
As increasingly capable domestic AI models emerged, that door began to open. "The maturity of AI creative tools made us see new possibilities," Hu said.
The explosive growth of AI-generated short dramas is a double-edged sword: It opens doors for some, but leaves many in the industry uncertain about what comes next. Many actors who once benefited from the short-drama boom are now finding work increasingly scarce, with some turning to other professions. Meanwhile, the use of celebrities likenesses in AI-generated content (AIGC) has ignited a fresh wave of debate.
Where is the industry headed next? Global Times reporters spoke with AI creators, short-drama actors and industry experts about the opportunities and uncertainties ahead.
         Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Lowering barriers

Hu studied directing and filmmaking in college. His team initially focused on short comedy videos, a field with relatively low production costs and less barriers to entry. But after years of producing this type of content, they eventually reached a creative plateau. That began to shift as more advanced AI tools came onto the scene.
To produce The Inverse Zone, the team used domestic video-generation models Seedance 2.0 and 2.5. The series took nearly two months to prepare, including world-building, character design and establishing a consistent visual style. "Seedance is the best in the world. It's extremely advanced. There's no model in Europe or the US that is more useful than it," Hu told the Global Times.
The technology does not mean production is effortless, however.
According to Hu, a typical episode costs around 4,000 to 5,000 yuan ($593-$741) to produce, while episodes involving large-scale scenes, complex special effects or demanding lighting and rendering can cost more than 10,000 yuan.
The team used AI for image generation, basic voice work and material rendering, while humans remained responsible for the script, character development, cinematography and post-production.
"The soul of the entire series is still controlled by people," Hu said. "All the key creative decisions are manually adjusted and repeatedly reviewed."
Ya Cen, operations head of AI video platform LibTV, told the Global Times that the AI short-drama ecosystem is now characterized by small teams, high productivity and strong individual styles. "The most direct value of AIGC is that it has lowered the geographic and financial barriers to film and television production," she added.
    Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Actors in AI era
Yet the rise of AI short dramas is also creating new tensions.
AI-generated characters are now building fanbases, landing brand endorsements, and being described as the next generation of digital stars. At the same time, many celebrities including Taiwan actress Joey Wong have reportedly given permission for their younger likenesses to be used in AIGC.
The impact extends beyond celebrity likenesses. It is also being felt by people who once benefited from China's booming live-action short-drama industry.
The short-drama boom created opportunities for large numbers of actors, many of whom could quickly become recognizable faces. However, as AI-generated productions expand, some performers are finding fewer acting opportunities and turning to other professions.
Chongqing native Luo Xinyuan, 21, has experienced that shift firsthand.
She spent more than a year in Hengdian, East China's Zhejiang Province as a short-drama actress. Since May, she has worked at a scenic area playing Huang Rong, a character from a classic Chinese martial arts novel The Legend of the Condor Heroes.
"When short dramas were at their peak, there were lots of fast-paced, feel-good stories," Luo told the Global Times. "But that kind of content is difficult to sustain. Without richer and more meaningful stories, the pressure from AI short dramas will make things even harder."
For many short-drama actors, the disruption is likely to be structural rather than an immediate wholesale replacement, Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times. The question of celebrity likenesses may prove even more complicated.
Zhang warned that unrestricted authorization could raise concerns over control and revenue sharing. Without clearer rules, the technology could put further pressure on ordinary actors.
The next stage may not be a choice between humans and machines, but a new production model in which the two increasingly work together.
For creators such as Hu, that possibility is already here.
"AI has finally given young creators like us the opportunity to realize the film and television dreams we've had for years," he said.
。多少年来，这片荒山一直处于荒芜状态，没有任何产出。去年10月，3台挖掘机开上荒山，整天机声轰鸣，整整干了一个多月，杂草丛生的荒山变成了良田。今年4月初开始，这片荒山上来了一群人，他们挖坑、扶正树苗、挥锹培土、踩土定植、提桶浇水，道道工序一丝不苟，场面更是热火朝天……原来，这是该乡四个村集体在栽种刺嫩芽。这件大好事的起因，还得从三年前两位村支部书记试验种植刺嫩芽说起。                   　　王存廷是秋子沟乡腰岭子村村支部书记，村子里的荒山没有产出，王存廷一直想让荒山充分发挥它的使用价值，和他有同样想法的还有谭杖子村村支部书记任忠平。王存廷和任忠平先后来到吉林梅河口和抚顺清原等地考察，经过多方联系取经，2021年春季，两人自掏腰包从吉林省梅河口购进刺嫩芽小苗，分别开出20亩和10亩荒山种上小苗。去年，刺嫩芽产生了收益，纯绿色的刺嫩芽以每斤40元的价格销往北京和本溪、抚顺等地，初步估算，每亩地收益3000元左右。一分钱不出的荒山有了产出；另外，整个种植过程中，还雇用村民务工，每天工资100多元，促进了村民在家门口就业；村民出租荒山还能收到租金，一举多赢，让大家看到了美好前景。                   　　王存廷和任忠平试种刺嫩芽收到一定成效，秋子沟乡党委书记朱洪军看在眼里，喜在心上。在一次碰头会上，他与西山村、八家子村、谭杖子村、腰岭子村4名村支部书记不谋而合：咱们要因地制宜，发展刺嫩芽这一特色产业，来打造农业产业新亮点，以壮大村级集体经济。                   　　说干就干！此前，腰岭子村已成立“绿乡缘”种植合作社，几个村把上年结余的村集体资金注入“绿乡缘”种植合作社，从谭杖子村村民手中流转100亩荒山，这便出现了本文开头的一幕。从4月1日起，到4月15日，尖山沟每天都会有这热火朝天的劳动场景。4月17日采访时，任忠平告诉记者：“刺嫩芽成活率特别高，基本上是百分之百，现在都冒出小芽了，我们时常上山察看，冒出嫩芽的小苗充满生机，特别惹人喜爱。”                    　　“眼下，我们正协调荒山，准备扩大种植规模，并带动村民参与其中，探索‘党建引领+合作社+农户’模式，盘活整合各村闲置资源，以规模效益提升推动经济效益提升，发展特色产业，让荒山变成村民绿色家底，壮大村集体经济。

B | ”朱洪军坚定地说。

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